Eastern Margins announce new festival celebrating East and South Asian culture in Hackney
The 12-hour day-and-night event will take place at EartH Hackney this SeptemberContinue reading...
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29% of artists report decrease in gig fees, according to study
In the report, a large proportion of artists noted gig payments have either stagnated or decreasedContinue reading...
DJ Flight relaunches play:musik imprint with new Nectax EP ‘Body Talk’
The Newcastle-based producer is the first to release on the drum 'n' bass originator's label in 14 yearsContinue reading...
The Warehouse Project launches WHP Records with independent label Disorder
The new imprint’s first release comes from Bakey with his debut albumContinue reading...
Women-only music festival Burning Woman criticised over refund troubles
The festival, which was set to be held in Lincolnshire this month, has gone into liquidationContinue reading...
Overmono unveil highly-anticipated track ‘Gem Lingo (ovr now)’
The track, which features singer-songwriter Ruthven, was first played by the duo on The Lot Radio alongside Fred Again and Lil YachtyContinue reading...
Sacha Lord announces departure from The Warehouse Project and Parklife
The co-founder confirmed in a statement that he would be exiting the two companies after 20 years, after transfering the remainder of his shares to Live Nation and Gaiety InvestmentsContinue reading...
Ryuichi Sakamoto’s final posthumous album, ‘Opus’, to be released next month
The first single from the record, ‘Tong Poo’, is out nowContinue reading...
Amapiano’s Second Wave: Upcoming producers and the risks of exploitation
Amapiano has taken over the world, but despite its success, some of the genre's most influential creators are not getting the rewards they deserve. In the final instalment of our three-part series documenting Amapiano's Second Wave, Jake Colvin explores how South Africa's economic conditions and exploitation from established stars are adversely affecting young producersContinue reading...
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