Review: Dialled In’s debut in Manchester felt like a beacon of hope against a disturbing political environment

Perhaps the only dampener on the night could be the Bell Room. Despite the incredible selections found by individuals like Harpriya, Korzi, and more, the room felt detached from Theatre and Foyer, as it was situated two floors above. However, the additional platforming of South Asian talent cannot be slated. There was also a literal damper on the night, when the heavens opened, though it provided some refreshment for all that those stepping out after being camped out inside. An adept ending to the night back indoors saw Chandé and Mr. Scruff display the breadth of their selections, with Chunky conducting the crowd once again. Mr. Scruff is undoubtedly a Manchester legend, and going B2B with Chandé, the night was closed out with high-paced percussive selections. Solidarity with Palestine was displayed throughout, but the crowning moment came as in the closing minutes with chants of “End The Occupation Now!” led by Chunky and Nuradin Adbi, accompanied by the Palestinian flag gliding across the front of the stage.

Normally there is not much I believe Skrillex and I would find consensus on, but after the California-based superstar deemed Dialled In as “one of the most inspiring events I’ve ever been to” – Sonny, I think you and I would get on very well. Speaking from a place of personal introspection, life within the creative arts never felt available or even natural to myself. From the various barriers to entry or the ‘natural’ career path of the logical, binary professions for the South Asian diaspora, it is a story too well told. However, with the momentum being generated by organisations such as Dialled In and the Daytimers crew, it seems as if history could be rewritten in front of our very eyes. This unquantifiable feeling that events such as Dialled In can provide is invaluable and must not be understated.

For a moment, I want you to think back to Dhruva Balham’s words surrounding ‘power’ within the arts, it should not be construed as something of malicious intent. Afro-Feminist author, Minna Salami, recently coined the term ‘Exousiance’. The idea looks to celebrate ‘power’ as a life-affirming and inclusive force, in contrast to the often coercive nature that the word has often been associated with — think a bottom-up force instead of top-down. With Dialled In elevating diverse South Asian voices in the arts and challenging the traditional hierarchies, a space is conceived where artistry and community thrives in mutual respect, education, and collaboration. Often, we are told to ‘be the change we wish to see in the world’, and through the experience of a space such as Dialled In that is grounded in synergy, celebration, and unity, perhaps there is a beacon of hope during the fever dream of a year that is 2024. A year that marks a key conjuncture in UK society, for good and for bad, but long may the Desi diaspora keep championing our beautiful homelands.

Dialled In is in London on September 7 at The Cause, get tickets here

Indy Gill is a freelance writer, follow him on Instagram