The Mix 023: Nesa Azadikhah

Your platform, Deep House Tehran, also gives many emerging artists a launchpad through streams, podcasts, and editorial. How did that come about?

It began 10 years ago. I had a strong urge to stay updated with the music scene, and I faced many challenges in the beginning when trying to market myself. At that time, there were only a few platforms representing artists in Iran, so Deep House Tehran was born. Over time, it grew bigger — not just because of time, but also due to the hard work and dedication I put in along the way. It’s a collective effort for the majority of the platform’s timeline, I couldn’t have done it alone.

After the death of Mahsa Amini in 2022, you protested through the release of a compilation record, ‘Woman, Life, Freedom’. Can you give us some background on this project and how it was received?

Coming from a society where freedom of speech is limited, you find different ways to express your emotions — this was our chance and our voice. The feedback was great, especially for the first release of our record label. We received up to 2,000 positive responses and some impressive fundraising.

You chose to represent female Iranian artists on the compilation to raise awareness of the issues under an oppressive government – how did you select the artists who took part?

I already knew most of them through Deep House Tehran’s projects, and after more than 10 years in the scene, you naturally gain a lot of connections. To give a wider space to those who wanted to come forward for the first time, myself and AIDA used our social media platforms to invite artists to send in their demos and sets.

Your first EP with AIDA on Apranik, ‘Polychrome’, lands later this month, which you said draws on your individual journeys as artists. Can you tell us more about that?

‘Polychrome’ consists of a few different genres, such as house, techno, and breaks, and will be released at the end of the month. We planned the EP to showcase who we are through our sounds, as we both play and enjoy various genres within this spectrum. At the same time, the EP reflects our emotions, taking you on a journey through different musical landscapes.

Read this next: Raving Iran: The promoter/DJs risking their lives to party

You previously divided your time between Tehran and Tbilisi holding down a residency at TES Club – what was that experience like?

Before I relocated to Paris in October 2023, I was splitting my time between Tehran and Tbilisi, mainly for personal reasons. Being a resident DJ at one of Tbilisi’s clubs was a dream come true for me. The TES team made it an even better experience with their cohesive, attentive, and safe environment. Thanks to them, I’m excited to share that I’ll soon be hosting my own party there!

What’s next for you?

This year is all about EPs for me! I’ve been deeply focused on production, so expect a flurry of releases from me across several labels, including Shaytoon Records, Paryia Records, Kulture Gallerie Records, Pornceptual, and my own label too.

Right now, I’m also working on my next five releases for Makhunik Records and am gearing up for a tour across a few countries.

Can you tell us about your mix?

I have to admit, I recorded three sets for this one (haha, don’t call me picky!). In the end, I chose the one that resonates most with my personal taste. I really appreciate that unique touch you referred to earlier. In this set, you’ll embark on a smooth journey through a variety of genres. I hope you enjoy the ride!

‘Polychrome’ is out on July 26, get it here

Gemma Ross is Mixmag’s Assistant Editor, follow her on Twitter